Belarusian photographer working at the intersection of documentary, ritual and memory.
I photograph what is about to disappear — a gesture, a wallpaper, a way of believing.
Andrei Liankevich is a Belarusian photographer, born in 1981 in Hrodna and based in Minsk. For more than two decades his work has traced the slow erosion of Soviet memory and the quiet survival of folk ritual across Eastern Europe.
He studied at the World Press Photo seminar in Yerevan (2004–05), Focus on Monferrato in Tuscany (2007), and the French Pour l’instant programme (2008), for which he produced Modern Family Institutions. Between 2009 and 2010 he photographed the Belarusian diaspora in Poland under the Gaude Polonia fellowship.
Liankevich worked with the European Press Photo Agency (2005–2010) and the Anzenberger Agency (2007–2012), and in 2008 co-founded the SPUTNIK photographers’ collective. His images have appeared in The New York Times, Le Figaro, Newsweek, Die Zeit, Der Spiegel, GEO, Vanity Fair, Reader’s Digest and the International Herald Tribune.
His work has been shown in more than sixty exhibitions across Europe, Asia and the United States — among them She Has a Female Name at the Museum of Modern Art, Vienna, and Zachęta Gallery, Warsaw, and Unknown Country at the Third Month of European Photography, Uferhallen, Berlin. Alongside his own practice he teaches photojournalism at the European Humanities University in Vilnius (since 2004), curates the annual Month of Photography in Minsk (founded 2014), and organised the World Press Photo exhibition in Minsk in 2012 and 2013.